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Quantizing Audio Events

Quantizing Audio Parts allows you to adjust the positions of your events, just like

you adjust the positions of MIDI notes.

Event Position Quantizing vs “True” Audio Quantize

There are two type of audio quantize.

• The ﬁrst type moves the events to desired positions, without affecting the ac-

tual audio ﬁle. This is described below.

• The second type processes and changes the audio recording permanently. .

Even Position quantizing

There is one big difference between quantizing Audio Event positions, compare to

MIDI events: It is not the “start point” of each Event that is used to decide what the

new position should be, but the “Q-point”. Note that quantizing moves the whole

event; it does not affect the timing of the recording within the ﬁle (for ways of

quantizing the actual material in a recording ﬁle, see page 259 and the chapter

“Matching Audio and Tempo”). Quantizing the start of a long Audio Event might

therefore be pretty pointless. To make quantization affect positions within the re-

cording, split it into several shorter Events before you perform the quantization.

There are two principal ways to do this:

• Use the Scissors tool to manually split the Audio Event in suitable places.

This may work ﬁne if the Audio Event contains several phrases or sounds, and

you only want to quantize the beginning of these individual phrases/sounds.

• Create Match Points (see page 249) and select Snip at M-Points from the

Do pop-up menu.

This will split the Event at each Match Point. Use this method if you have au-

dio material with short, well separated sounds, like a clean drum loop. You

may for example want to tighten up an inexactly played hi-hat pattern by

quantizing the beats to 16th notes.

● If you try the above methods with a less than satisfying result, check out page

259 and the chapter “Matching Audio and Tempo”) for information about

permanent quantization of the actual audio ﬁle.

There are three quantization methods that can be applied to audio:

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